Sunday Song – Oscar Hammerstein

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As the 1951 Club draws to a close today, I thought I’d choose a poem or a song from that year. I was pleased to discover that The King and I by Richard Rodgers & Oscar Hammerstein was first produced in 1951 so here’s one of my favourite songs from the musical, Shall We Dance?

Here is the performance we’re probably all familiar with, Yul Brynner & Deborah Kerr (with the extraordinary voice of Marni Nixon doing the singing. Have a look at this clip on how they recorded the songs together) from the movie. And here is another performance of Yul Brynner & Patricia Morrison at the 1971 Tony awards.

(Anna sings)
We’ve just been introduced
I do not know you well
But when the music started something drew me to your side
So many men and girls are in each others arms
It made me think we might be similarly occupied

Shall we dance, on a bright cloud of music
Shall we fly
Shall we dance
Shall we then say goodnight and mean goodbye
Or per chance, when the last little star has left the sky

Shall we still be together with our arms about each other
And shall you be my new romance
On the clear understanding that this kind of thing can happen
Shall we dance, shall we dance, shall we dance

(Interlude)

Shall we dance, on a bright cloud of music
Shall we fly
Shall we dance
Shall we then say goodnight and mean goodbye

(The King Sings)
Or per chance, when the last little star has leave the sky

(Anna Sings)
Shall we still be together with our arms about each other
And shall you be my new…

(Both Sing)
Romance
On the clear understanding that this kind of thing can happen
Shall we dance, shall we dance, shall we dance.

Death has Deep Roots – Michael Gilbert

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Victoria Lamartine is on trial for the murder of Major Eric Thoseby. The murder was committed in a small in the Family Hotel in Pearlyman Street, run by Monsieur Sainte, who came to London after the war. Vicky is another French refugee, assisted by the Société de Lorraine, an organisation set up to help French citizens in London, to find work after suffering imprisonment & torture by the Gestapo for her role in the Resistance in the Angers region. Thoseby had been the SOE contact in the area. He knew Vicky & she had been in contact with him after the war, trying to trace Lieutenant Julian Wells, the father of her baby. Vicky gave birth in a prison camp & the baby later died of malnutrition but Vicky didn’t believe the story that Julian had been killed by the Gestapo in the same raid when she was caught. Thoseby was at the hotel that night to meet Vicky & she was discovered standing over his body. The murder weapon, a kitchen knife, has her prints on it & the very efficient method used to stab Thoseby was taught to Resistance fighters during the war.

Nap Rumbold is the junior partner in his father’s firm of solicitors. He is surprised to be contacted by Vicky’s solicitors two days before the trial commences & asked to take on the case. Vicky was dissatisfied with her counsel, who obviously believed her guilty, & she had heard of Nap through Major Thoseby (they were wartime colleagues). Nap agrees to see Vicky & is impressed by her story. The police case is that Major Thoseby was the father of Vicky’s child & that she murdered him when he refused to support her. Nap believes her innocent but realises how difficult it will be to prove her innocence & discover the true murderer. Nap enlists Major Angus McCann, a private investigator, to pursue the London end of the investigation while he goes to France to look into the wartime roots of the relationship between Vicky & Thoseby. The investigation is complicated by the other guests at the hotel, including alcoholic Colonel Alwright & Mrs Gwendolyne Roper, whose evidence seems damning until her own activities are scrutinised.

This is a great combination of courtroom drama & adventure story. The background of the war & the French Resistance is exciting & Nap’s investigations in Angers reveal many secrets that desperate men would kill to keep hidden. The chapters alternate between the trial & Nap’s investigations & this structure works very successfully. I’ve always been a fan of courtroom drama (Witness for the Prosecution is one of my favourite movies) & the sober recounting of evidence contrasts well with the chapters in France as Nap tries to break through the obstructions of people who have many secrets. The wartime background is fascinating as the motives of everyone involved are untangled & the time constraints involved ramp up the tension beautifully. It was a real treat to have the opportunity to read Death has Deep Roots for the 1951 Club.

The 1951 Club has been a wonderful excuse to read & reread some terrific books. There are lots of links to more reviews on Simon’s blog here. As well as the two books I’ve reviewed, I’ve also listened to the audio book of The Daughter of Time by Josephine Tey, read by Derek Jacobi. This is one of my favourite books & I must have read or listened to it over 20 times. I’ve also reviewed My Cousin Rachel by Daphne Du Maurier (I’m looking forward to the new movie very much. There’s a trailer here). Other reviews on the blog – The Blessing by Nancy Mitford, Round the Bend by Nevil Shute, There are so many more that I read pre-blog, 1951 must be one of my favourite reading years! One that brought back happy memories when I saw it in the Goodreads list was Désirée by Annemarie Selinko, a romantic novel about Napoleon’s first love. I’ve also read The End of the Affair by Graham Green, They Came to Baghdad by Agatha Christie, The Day of the Triffids by John Wyndham (after seeing the TV series with John Duttine back in the 70s), Ellen Tebbits by Beverly Cleary (a childhood favourite), Night at the Vulcan by Ngaio Marsh, Duplicate Death by Georgette Heyer, A Game of Hide and Seek by Elizabeth Taylor, An English Murder by Cyril Hare, The Lute Player by Norah Lofts & Florence Nightingale by Cecil Woodham-Smith. I’d recommend them all, even though I read many of them over 35 years ago. What a great year for publishing!

The Quiet Gentleman – Georgette Heyer

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Gervase Frant, sixth Earl of St Erth, returns to Stanyon, his family home in Lincolnshire, a year after the death of his father & after several years as a soldier on the Continent. The unregarded son of his father’s first, unhappy, marriage, his return is disconcerting for his stepmother, the Dowager Countess, & especially for her son, Martin. Martin has been the spoiled darling of both his parents, treated almost as the heir, & the reappearance of his half-brother is a source of jealousy. The estate has been stewarded by a cousin, Theo Frant, a steady hand who has kept in touch with Gervase. Miss Drusilla Morville, the daughter of a local gentry family, is visiting Stanyon as the guest of the Dowager while her parents are on their travels.

Gervase’s quiet good manners soon recommend him to the Dowager & the rest of the household. All except Martin, whose resentment is plain. When Gervase rescues the beautiful young heiress, Marianne Bolderwood, after she is thrown from her horse, Martin’s jealousy is aroused. Marianne’s easy, flirtatious manners have led Martin to believe that she returns his love although she is too innocent to realise it. When Gervase’s friend Lord Ulverston arrives, the attraction between him & Marianne is obvious to everyone but Martin. He tries to force his attentions on Marianne at a ball at Stanyon by proposing to her & then tries to force Ulverston to fight a duel.

More seriously, Gervase is the victim of several “accidents” which could be something more sinister. Martin forgets to warn his brother of a rickety bridge & a rope pulled deliberately across the road trips his horse. When Gervase is shot while out driving, & Martin disappears, everything seems to be pointing in the direction of a jealous young man with murderous intent. But is this really the answer? Gervase is determined to avoid scandal but can he believe that Martin was not involved?

I love Georgette Heyer. Of course, there’s also romance as well as intrigue in this sparkling story. Drusilla Morville is a quiet, elegant young woman from an intellectual family who has an easy, companionable friendship with the whole family. She’s on the spot when Gervase is thrown from his horse & takes on the burden of nursing him after he’s shot. Her impeccable manners & competence impress Gervase but Drusilla will not allow herself to think of anything but friendship with a rich nobleman, her parents’ landlord to boot, who will surely marry an heiress. Gervase’s initial impression of Drusilla on his first evening at home,

” And who, pray, is that little squab of a female? Was she invited for my entertainment?Don’t tell me she is an heiress! I could not – no, I really could not be expected to pay my addresses to anyone with so little countenance or conversation!”

‘Drusilla! No, no, nothing of that sort!” smiled Theo. “I fancy my aunt thinks she would make a very suitable wife for me!”

“My poor Theo!”

soon changes as they become acquainted & he realises that she has plenty of humour & conversation as well as quiet good sense. She even discusses Mary Wollstonecraft’s life & work with Gervase quite matter of factly which I loved. Drusilla is one of Heyer’s older heroines & much more interesting to me than flighty Marianne Bolderwood with her beauty & her train of suitors. I also adored the Dowager Countess with her Lady Catherine-like pronouncements & her complete self-absorption. The mystery of the attacks on Gervase is absorbing, I loved the descriptions of the estate, the house & the countryside & altogether, this is now one of my favourite Heyer novels. My enjoyment was enhanced by listening to the audio book read by Cornelius Garrett, one of my favourite narrators. I like to listen to an audio book for 15 mins or so before I go to sleep but some nights I was desperately trying to stay awake for just a few minutes more to find out what would happen. I’ve listened to several Heyers on audio & enjoyed them all. I still have Frederica, read by Clifford Norgate in my Audible library but the next one I want to read is Venetia as I want to listen to the Backlisted podcast which you can listen to here or wherever you get your podcasts.

It was a real treat to read The Quiet Gentleman for the 1951 Club. Thanks Simon & Karen for the opportunity to read a book that had been in the tbl (to be listened) list for too long.

 

The 1951 Club is coming!

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Simon at Stuck in a Book & Karen at Kaggsy’s Bookish Ramblings are hosting the 1951 Club next month, April 10th-16th to be precise. I love this idea, it’s practically the only challenge I ever take part in. Mostly because they choose such interesting years but also because I invariably have several books on the tbr shelves to choose from so I’m participating in a challenge & reducing the tbr at the same time.

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There are links on both blogs to lists of titles published in 1951 & all the information you need to join in. I’ve pulled these books from the shelves – two Greyladies titles by Josephine Elder, The Encircled Heart and Lady of Letters, Lucy Carmichael by Margaret Kennedy & Come In Spinner by Dymphna Cusack and Florence James.

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However, just as I had virtuously planned to read one of these books that I already own, I read this post by Moira at Clothes in Books. Once you are thinking about 1951, books seem to pop up everywhere that were published in that year. I do like Michael Gilbert’s books & this one, about a murder trial with links to the French Resistance during WWII, sounds terrific. So, I bought the eBook.

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I also plan to listen to The Quiet Gentleman by Georgette Heyer, read by Cornelius Garrett.

Looking at the lists on Goodreads, I’ve also discovered that I’ve read a lot of books published in 1951 so I’ll be posting links to my reviews of those titles in 1951 Club week as well. It’s going to be wonderful, I can’t wait!