After reading the essay on Sir Walter Scott in The Best of Books & Co, I was inspired to have a look at what I had of Sir Walter’s on the tbr shelves. My 19th century bookgroup is about to start reading Scott’s The Talisman next week, so I didn’t want a full-length novel. I did find this novella from Hesperus Press & another volume of three short stories which was just about right.
The Highland Widow is from the collection of three tales, Chronicles of the Canongate. The tales are framed by a story about a man called Chrystal Croftangry who wants to show the past of Scotland through a series of tales told to him by his friends. The Highland Widow is told to him by Mrs Bethune Baliol, who is travelling through the Highlands & comes across a woman sitting silent & motionless in front of her croft.
She guessed, perhaps, that it was curiosity, arising out of her uncommon story, which induced me to intrude on her solitude… Yet the look with which she regarded me was one of scorn rather than embarrassment. The opinion of the world and all its children could not add or take an iota from her load of misery, and, save from the half-smile that seemed to intimate the contempt of a being rapt by the very intensity of her affliction above the sphere of ordinary humanities, she seemed as indifferent to my gaze, as if she had been a dead corpse or a marble statue.
When she enquires about her, she is told the story of her life. Elspat MacTavish is feared & shunned by her neighbours. Known as the Woman of the Tree, she has lived alone for many years. Elspat was married to MacTavish Mhor, a scoundrel & cattle thief who ran a protection racket in the area. The MacTavishs & their son, Hamish, lived well on the proceeds of crime. Elspet was beautiful, happy & rich. MacTavish Mhor came out for Prince Charlie in the 1745 rebellion & was outlawed. He was killed fighting desperately against a detachment of redcoats sent to capture him, Elspat at his side, loading his gun.
After MacTavish Mhor’s death, Elspat focuses on her son, Hamish, expecting that he will take up his father’s mantle. She has cut herself off from her neighbours & is unaware of the changes in Scotland since the failure of the Jacobite rebellion. Hamish grows up to realise that his father’s trade was dishonourable & although he loves his mother, he decides that he needs to follow his own path. As he becomes more independent, his mother’s jealous love becomes more obsessive. When Hamish joins a Highland regiment of the British army, Elspat’s disgust knows no bounds. She sees this as a betrayal of her, his father & all the Highland traditions that had been destroyed by the English. Hamish sees it as a way to make a living & provide for his mother. Hamish accepts that the clans have been finally defeated & must bow to the inevitable but Elspat never will,
‘Dearest mother,’ answered Hamish, ‘how shall I convince you that you live in this land of our fathers, as if our fathers were yet living? You walk as it were in a dream, surrounded by the phantoms of those who have been long with the dead…. The land is conquered – its lights are quenched – Glengary, Lochiel, Perth, Lord Lewis, all the high chiefs are dead or in exile. We may mourn for it but we cannot help it. Bonnet, broadsword, and sporran – power, strength and wealth, were all lost on Drummossie Muir.’
‘It is false!’ said Elspat fiercely, ‘you, and such like dastardly spirits, are quelled by your own faint hearts, not by the strength of the enemy. You are like the fearful waterfowl, to whom the least cloud in the sky seems the shadow of the eagle.’
Elspat then makes a fateful decision. She decides to prevent Hamish returning to his regiment after his leave. He will be condemned as a deserter & flogged & she thinks that, rather than submit to such humiliation, Hamish will consent to her plan of hiding him in the Highlands as happened in the old days. Elspat’s plan destroys her & she lives out the rest of her days alone, shunned & feared by her neighbours.
The Highland Widow is about the fury of a woman who can’t embrace change, whose love for her son destroys them both. Elspat is almost an elemental creature. She seems to subsist on very little, she lives on her rage & desire for revenge & on her terrible nostalgia for the old days. Elspat is like a fierce witch or soothsayer, prophesying doom & cursing those who don’t see things as she does. She never softens or asks for help, even at her lowest point.
I also read a few short stories by Scott. The most interesting was My Aunt Margaret’s Mirror, a Gothic tale originally written for The Keepsake annual in 1828. Aunt Margaret tells the narrator a story about her ancestor & namesake who died 200 years before. This Margaret had a sister, Jemmie, a delicate beauty but not a clever girl. Jemmie married a young rake, Sir Philip Forester, who soon tired of her & neglected her. He spent little time at home &, eventually decided to go to the Continent where he hoped to join the Army & have an adventure or two. He left Jemmie fretting at home &, when he had been gone some time, Jemmie decided to consult a mysterious doctor from Padua, Baptisti Damiotti, who had a reputation among the society ladies of Edinburgh of being able to see into the future. Margaret is determined to go with her sister &, although they disguise themselves, the Doctor sees through this immediately. The Doctor, by some supernatural means, shows the ladies a scene in a huge mirror that he says is happening many miles away at that very moment. The shock destroys what’s left of Jemmie’s intelligence & she never recovers.
My Aunt Margaret’s Mirror is a suitable spooky tale for an Annual. Annuals were usually published around Christmas time & were full of ghost stories, holiday tales & poetry. The story was apparently based on one told to Scott by his own great-aunt, Margaret Swinton & her stories formed part of the inspiration for his novel, The Bride of Lammermoor.