What a joy it is to visit 44 Scotland Street again. The Importance of Being Seven is the sixth collection of episodes from the daily novel that Alexander McCall Smith writes for The Scotsman newspaper. The short chapters are about 3pp long & it can be disconcerting when you’ve been following a story for several episodes & suddenly the scene changes. Still, it’s comforting to know that you’ll meet the characters again a few pages on & resolve that cliffhanger ending that McCall Smith is so good at. I’ve always wondered how the 19th century readers of Dickens coped with the weekly or monthly wait for the next instalment of Little Dorrit or Bleak House. I’m an impatient reader, rushing to read just one more chapter to find out what happens so I can’t think of anything worse than having to wait a month for the next instalment. A day is probably as long as I could bear to wait but having the whole year’s instalments in one volume means I can read the lot in a couple of days & sigh with satisfaction at the end.
All the characters from the previous books are here & it only takes a couple of pages to remember their stories. There’s newly married Matthew, the art gallery owner who famously wore a distressed oatmeal jumper & crushed strawberry trousers. Luckily, they’re nowhere to be seen in this book. His kind, competent wife, former teacher, Elspeth Harmony, has probably consigned them to the back of the wardrobe. How long will it be, though, before Matthew’s over-protective solicitousness drives her crazy? Especially as she’s now pregnant & they’re looking for a bigger flat. Elspeth won my heart in a previous book when she taught at the Steiner School & pinched the ear of a particularly awful little girl. Of course, she had to resign but I was cheering her on.
Anthropologist Domenica Macdonald continues her friendly feud with her neighbour Antonia Collie as they plan a trip to an Italian villa. When Antonia invites artist Angus Lordie & his dog Cyril (he of the golden tooth) along as well, Domenica is immediately suspicious of her motives. Does Antonia have designs on Angus? Bruce, the narcissistic surveyor, has a new fiancée, Lizzie, but is he just after her money? Lizzie’s friend, Diane, lays a trap to discover Bruce’s true feelings. One of the funniest chapters in the book involves Bruce as the surveyor of Matthew & Elspeth’s expensive new flat. Matthew had met Bruce before as they’re both former boyfriends of Pat Macgregor, & they disliked each other on sight. Bruce’s snide comments about the price Matthew paid & the unstable structure of the house have Matthew in emotional meltdown until Elspeth takes control & creates order out of chaos.
In the Introduction to this volume, McCall Smith says that he’s amazed by the many people he meets who are concerned about the characters of Scotland Street, but especially about Bertie Pollock, the put-upon six year old son of the dreadful Irene, the worst mother in modern fiction. Bertie is at the heart of this book & of the whole series. The other characters are adults & however much we feel for Big Lou or Elspeth or Pat, they can look after themselves. Bertie is at the mercy of a mother who doesn’t understand him. She’s devoted to the theories of Freud, Jung & Melanie Klein but her worst sin is that she never listens to Bertie. She is the classic over-achiever who refuses to let Bertie be a child. She wants him to grow up too soon & in her own image. Bertie goes to a Steiner School & the other children are horrible. Olive is the bossy, vindictive little girl whose ear was pinched; Tofu is a liar; Hiawatha has smelly socks. Bertie’s life is filled with saxophone lessons, Italian conversazione with his mother & visits to his psychotherapist. His one spot of joy is his weekly Scout meeting although the other children are also members of the pack so he can’t escape them entirely. Bertie’s little brother, Ulysses, has an unfortunate resemblance to his previous psycho-analyst, Dr Fairbairn, & a habit of throwing up whenever he looks at his mother. Bertie’s father, Stuart, is pretty ineffectual, as much a victim of Irene as Bertie is. The high spot of their lives is a fishing trip they take that leads to them meeting a young boy who represents everything Bertie wants for his own his life. Andy plays rugby, has a collection of penknives & has never heard of yoga or psychotherapy. There’s definitely some hope at the end of the book that Bertie & his father might make a stand against Irene – & not just by moving to Glasgow when they’re older, a dream they both share.
Scotland Street is an absorbing place to visit. I love the fact that McCall Smith has become famous for writing such gentle, moral tales. All his books have similar themes of right & wrong. His good characters are striving to do the right thing & his bad characters get their comeuppance sooner or later. The books are full of humour too. McCall Smith pokes fun at his pretentious characters with such enthusiasm. I think it’s heartening to think that this gentle humour is what readers want. Not everyone wants to read misery memoirs or violent thrillers. Bertie is longing for his seventh birthday, thinking his life will change, that people will respect him more when he reaches this great milestone. He doesn’t get there in this book, but that only gives us something to look forward to in the next.
I’m continuing the Scottish theme in my reading with The Bride of Lammermoor by Sir Walter Scott. I’m reading this with my 19th century bookgroup. I’ve also just started reading Fiona Watson’s new book about the real Macbeth, stripping away the myths to reveal a more complex picture of Dark Age Scotland. I’m looking forward to both of them.