There’s been a real hint of autumn in the air over the last few days & Abby & I are very pleased about that. Autumn is my favourite time of year – probably because I’m so relieved summer is over for another year, but I just have so much more energy in autumn. I start making plans for the garden, start thinking about all the baking I’ll do in the cooler months ahead & look forward to winter Sunday afternoons of reading. Abby has already started getting into her autumn/winter routine. Instead of sleeping in the garden or under the tree in the front garden after her morning patrol, she prefers to settle down inside when the weather cools down. That’s my old dressing gown she’s snuggling into. She decided it was time I bought a new one not long after she came to live with me by snuggling down into it one day when I’d left it thrown over the couch. She looked so comfortable that I just left her to it & bought a new one for myself.
Desperate Reader mentioned some forthcoming reprints of Nancy Mitford titles a couple of weeks ago & I was reminded of a few Mitfords I haven’t yet read from the tbr shelves. The Blessing is the story of Grace, who marries charming Frenchman Charles-Edouard during the War, is left at home in England with their son Sigi, the Blessing of the title, while Charles is fighting, & then goes to live in his family home in France after the War. It’s very light, bright & sparkling. Lots of humour comes from the differences between the French & the English. Will Grace ever get used to Charles-Edouard visiting his two mistresses in the afternoons? Will Charles-Edouard’s friends ever understand Grace, with her unsophisticated clothes & her expectation that her husband will be faithful? When Grace walks in on Charles-Edouard & his mistress in bed in the middle of the afternoon, she takes Sigi & goes home to her father’s house in the English countryside.
Sigi soon finds that he sees much more of his parents when they’re separated than he ever did when they were together & forever sending him off to find Nanny so they could be alone. Nanny is the funniest character in the novel. A completely correct English Nanny, contemptuous of the French & all their ways, turning her nose up at the food, the nursery, the bathrooms, the standards of cleanliness, until she goes home to England where she extols everything French as just marvellous. A complete tyrant. Sigi decides to stop any chance of his parents reuniting by encouraging them to marry other people & sabotaging Charles-Edouard’s attempts to contact Grace. I found Sigi totally obnoxious, a spoilt brat with no redeeming features at all. Still, as Nanny said, is it any wonder considering how he’s been brought up? This is Nancy Mitford, so I suppose I shouldn’t get too worked up about spoilt children & flippant attitudes towards adultery. Grace is miserable without Charles-Edouard & is obviously only waiting for a word from him to throw herself back into his arms.
One of the best scenes in the book is a fancy dress party held by Albertine, one of Charles-Edouard’s mistresses. She’s trying to curry favour with Sigi as a way of getting his father to marry her. Sigi wants to go to a party, & as children don’t go to grown-up parties, Albertine decides to hold a fancy dress party where the only guests will be families who must come as famous parents & their famous children. This also has the effect of denying an invitation to childless Juliette, Charles-Edouard’s other mistress, who also wants to marry him. All of society wants to come to the party, so they set about roping in children, nephews & nieces from anywhere possible. They dress up as Louis XVI & Marie Antoinette & children; Henri II, Catherine de Medici & children, Napoleon III, Eugenie & the Prince Imperial etc depending on the number of children they have. At the party, the parents all behave as usual, ignoring their children & socialising with their friends. The children run around, eat too much & end by falling asleep where they drop. Nanny & another Nanny come along, “like two tragic mothers after some massacre of the innocents… Bearing away the little bodies, their faces glowing with a just indignation, the two English nannies vanished into the night.” The dialogue sparkles & the contrast between English innocence & French cynicism is beautifully done.
I also have Don’t Tell Alfred & the biography of Madame du Pompadour on the tbr shelves & I’ve preordered Highland Fling from Capuchin. It looks like Penguin are just about to reprint several of the novels. I haven’t read Wigs on the Green & I’m tempted. But. I plan a Book Depository order at Easter with some more preorders in it so I think I’ll wait until then. The picture shows my Mitford collection, including the Mitford sisters’ letters which was one of my best books of 2008. I just loved it, I became totally absorbed in their lives & was desolate when it finished. The book was huge but it could have been twice as long & I wouldn’t have complained.
I must be the last mystery fan in the world to have caught up with Ann Cleeves’ Shetland Quartet and even now, I’ve started at the end. I’d been aware of the books & I’d even picked up one of the earlier books in the series but it wasn’t the right time & I put it down again & went on to something else. Well, after reading Blue Lightning I have to read the earlier books as soon as possible & probably anything else by Ann Cleeves that I can get my hands on! Blue Lightning is in the great Golden Age tradition of the locked room mystery & the Shetland Islands are a wonderfully atmospheric setting. Detective Jimmy Perez is on his way to his parents’ home on Fair Isle with his fiancé, Fran. Jimmy would like to make his home on Fair Isle, where he grew up, but Fran is still unsure about moving herself & her daughter to such a remote place. Fair Isle is the location of a bird observatory run by Maurice & Angela Moore. Angela is the ranger, a beautiful, commanding woman who has presented TV documentaries & is famous for her discoveries. Maurice is much older, an academic who left his job when his relationship with Angela broke up his marriage & alienated his children. His daughter, Poppy, is reluctantly visiting the island but obviously resents being there. Jane Latimer has escaped an unhappy personal life to be the cook/housekeeper at the observatory, catering for the regular staff & the birdwatchers who come to observe some of Britain’s rarest species. Jimmy & Fran arrive as a spell of bad weather cuts the island off from the mainland. When Angela is found murdered, stabbed in the back at her desk with feathers strewn over her, Jimmy has to investigate without any of the usual backup or forensic support. The suspects all have something to hide & the investigation brings out the obsessive, competitive nature of twitching. These people are so obsessed with being the one to stop the next rare bird that Angela’s death is seen as more of an inconvenience than a tragedy. Angela had plenty of secrets of her own & once Jimmy is able to get his team to the island, the investigation spreads further afield & uncovers several juicy motives. This is a terrific book full of atmosphere, compelling characters & an intelligent detective. It’s been a while since I found a new mystery writer but I can’t wait to read the rest of the Shetland Quartet. I hope this isn’t the last we’ll see of Jimmy Perez even though the Quartet is finished. Ann Cleeves has written an interesting piece on the origins of the story on Martin Edwards’s blog here & Martin has also reviewed Blue Lightning here. I recommend it to anyone who enjoys British mysteries & all I can say is what took me so long?
I started reading High Wages yesterday afternoon & finished it at 11.30 last night. What a terrific book. I shouldn’t be surprised. I’ve never started a Dorothy Whipple & been able to put it down. The book arrived before Christmas but I’d stopped myself from reading it because my online reading group had decided to read it in February & discuss it in March & I didn’t want to read it too early & risk forgetting details. So, I resolutely put it aside until yesterday.
Jane Carter gets a job at Chadwick’s, the drapers in Tidsley, a small Lancashire town. High Wages is the story of Jane’s rise from draper’s assistant, working for a pittance, living in with her stingy employers & dreaming of great things to owning her own shop & being able to realise those ambitions. Jane is a determined young woman. The scene where she confronts Mr Chadwick & forces him to keep her on after his most important customer, Mrs Greenwood, has demanded her dismissal is typical. Jane clearly sets out her worth to Mr Chadwick. She has already transformed the business, pushing staid Mr Chadwick into new areas, showing her talent for fashion by advising customers & modernising the displays. Now, Jane compares Mrs Greenwood’s 30 pounds worth of business a year to all that she has brought to the business. Mr Chadwick is dumbfounded but has to agree with Jane & her job is saved.
There’s so much humour in the book. Dorothy Whipple knew Lancashire well & she draws a fascinating picture of provincial society from 1912 through WWI to the 1920s. The social nuances are beautifully observed. When Jane & the Chadwicks go to the Hospital Ball, the details of clothes – a diamond shirt stud ruins Mr Chadwick’s evening – who Jane dances with, the fact that a tradesman like Mr Chadwick has tickets at all, causes apoplexy among people like the Greenwoods. This is a highly structured society. Dorothy Whipple takes us into the minds of characters from different social levels & shows us how dissatisfied nearly all of them are with their lot. Sylvia Greenwood is beautiful, envied by shopgirls like Jane, but she’s bored, forced by her social position to do little but look decorative. Mrs Briggs has risen from the working class when her husband becomes a partner to Mr Greenwood, the mill owner. She is a disgrace to her husband & upwardly mobile family because she can’t live up to her new circumstances. She prefers to do her own cooking & wear sateen petticoats than live in a house where servants do everything for her. Not until she becomes friends with Jane & helps her achieve the dream of owning her own dress shop does Mrs Briggs feel comfortable with her wealth.
I found it interesting that Jane’s natural self-esteem & ambition are fostered by reading. She meets Wilfrid, a library assistant who is walking out with Maggie, the other assistant at Chadwick’s. Wilfrid fosters her love of reading & soon she’s reading H G Wells’ Ann Veronica under the counter at work & being fired by what Mr Chadwick calls Socialist ideas. I loved Jane’s sense of what is due to herself. She confronts Mr Chadwick when he dishonestly refuses to pay Jane’s commission on a sale she’s made. She outwits Mrs Chadwick’s meanness to have a luxurious cold bath on a Sunday morning. She knows her own worth & I admired that very much. At the end of the book there’s a chance that Jane may give up her hard-won independence. I was so upset at the thought that I couldn’t bear to go to bed not knowing what would happen. That’s the real reason why I was still up at 11.30 propping my eyelids open! That’s why Dorothy Whipple is one of my favourite authors & my favourite Persephone author. She makes me care so much about her characters that I can’t go to bed until I know what’s going to happen to them. I do hope Persephone continue reprinting her books.
What a great idea. Jane Austen is the world’s most popular author. Instead of publishing another edition of Pride & Prejudice or Persuasion, why not reprint Lesley Castle or Lady Susan? Someone new to Dickens may be daunted by the size of David Copperfield or Bleak House. Why not dip your toe in the water with one of his volumes of Christmas short stories such as The Holly Tree Inn? This is what Hesperus Press has done & I think it’s a brilliant idea. They’ve taken on the classics market at an oblique angle & found a niche that they’ve made their own. I love classic fiction. I’ve read all of Austen, the Brontes, Gaskell, most of Dickens & Hardy, lots of the Russians & now I’m discovering Zola & Balzac. Hesperus are broadening my reading even more with their reprints of lesser-known works by well-known authors. I’ve especially enjoyed the series of Dickens’ Christmas editions from his periodicals, All The Year Round & Household Words. These were special holiday editions consisting of a series of stories linked by a theme. Dickens orchestrated it & often wrote several of the stories. But, he invited other authors, including Wilkie Collins, Elizabeth Gaskell, Amelia Edwards & Harriet Martineau to contribute as well. I don’t think they had been reprinted until the Hesperus editions. This is what’s so innovative about the Hesperus list. You have recognition of the author &, for the classics lover, the delight of finding a new book. Another favourite is Wilkie Collins’s The Frozen Deep. This is the story that became the basis of the play Dickens was acting in when he met & fell in love with Ellen Ternan. Although I knew the basic plot from reading biographies of Dickens, I’d never read the play or this original story. Hesperus Press books are also beautiful. They’re all around 100pp long, the cover photos are gorgeous, the paper is creamy & I love the French flaps (I think that’s what they’re called) that make the book a little sturdier than a paperback but not as heavy as a hardback. Perfect handbag size. I never leave home without a book, so size is important when choosing my lunchtime coffee reading. You can see a few of my Hesperus titles above. I have a couple more on preorder (Scott’s Highland Widow & Jenny Wren’s Lazy Thoughts of a Lazy Girl) & a whole lot more in my Book Depository wishlist. Balzac’s Colonel Chabert (remember the movie with Gerard Depardieu?), De La Mare’s Missing, Bacon’s Henry VII, Braddon’s Lawyer’s Secret, Zola’s For a Night of Love… If I wasn’t highly disciplined, I’d be ordering this lot right now. But, I still have a few Hesperus books on the tbr shelves so I’ll start with those & look forward to ordering some more soon. I wish I could include a link to their website but the Hesperus Press website has been under construction for a very long time & shows no signs of appearing & their blog hasn’t been updated since August.
The mosaics & ceramics of the friezes were sparkling, the greens & reds of the paintwork were lit up by the fires from the gold so lavishly applied. It was as if the displays, the palaces of gloves & ties, the clusters of ribbons & lace, the tall piles of woollens & calicoes, the variegated flower-beds blossoming with light silks & foulards, were now burning in live embers. The mirrors were resplendent. The display of sunshades, curved like shields, was throwing off metallic glints. In the distance, beyond some long shadows, there were faraway, dazzling departments, teeming with a mob gilded by the sunshine.
This is the Ladies’ Paradise, a new phenomenon in 19th century Paris, a department store. It’s the brainchild of Octave Mouret, the owner-manager, who has built the store up from its origins as a family store owned by his wife’s family into one of the biggest stores in Paris, taking over a whole block & crushing smaller shops in its path. Considering it was published in 1883 this is an incredibly modern novel. It’s about seduction in its many forms, mainly retail seduction. Mouret is the great seducer. In his private life, he takes mistresses; in his professional life, he seduces investors, staff, suppliers & the public with his vision of retail heaven. The novel opens with the arrival of Denise Baudu & her brothers in Paris from the country. They’re orphans & have come to live with their uncle, a shopkeeper. Their uncle’s shop is opposite the Ladies’ Paradise & all the shopkeepers in the neighbourhood are obsessed & appalled by the department store hovering over them, stealing their customers & their staff, disrupting their lives. M Baudu can’t afford to employ Denise so she goes to work at the Paradise. Her career starts badly. She’s badly dressed, persecuted by the other shopgirls, living on the edge of poverty, trying to support her brothers. Zola’s descriptions of the lives of the staff are wonderful. He describes the rivalry, the bitchiness, the jockeying for position & advantage, the long hours & meagre rewards. Denise is eventually sacked, & after hovering on the edge of dire poverty, she reconciles with her uncle & goes back to work at the Paradise with very different results. This time, she’s more experienced, her gentleness & honesty bring her respect & promotion & she catches the eye of Mouret, who finds in her an honest woman who refuses to be corrupted. The novel is full of great set pieces. The grand sale which takes place early in the book is a great gamble for Mouret. He’s set on changing the retail behaviour of Parisian women. He uses many of the techniques we’re very familiar with now. Lots of bargains at the front of the store to lead people in, a lavish display of Oriental rugs & fabrics to dazzle the eye, scattering departments all over the store so customers are drawn further & further in to get what they want (like putting the milk at the back of the supermarket), aggressive sales techniques. The chapter begins in the early morning with the empty store full of anticipation. Mouret walks through the store, making changes, checking stock & staff. The staff grumble about the lack of customers. Anxiety rises, the staff work on commission, what if no one comes? Gradually, the customers come, drawn in past the Oriental bazaar & into the growing frenzy of consumerism & retail madness. The chapter rises to a crescendo of overblown excess, the sale is a success & Mouret’s confidence is justified. The customers are just as well-drawn as the staff. Mouret’s mistress, Madame Desforges, & her friends are helpless in the face of so much luxury. They exhaust themselves with shopping & then, after a break in the buffet, they emerge to shop some more. Zola’s descriptions of laces, velvets, silks & satins are so luscious. Luscious is the word I kept thinking of as I read. The sheer accumulation of detail, whether of desperate poverty or overblown excess, is intoxicating. I loved everything about this novel. Zola is such a compelling writer. I was struck again by the frankness of French novels of this period about sex & the emotional life of the characters. I read Zola’s L’Assommoir a couple of years ago & was just bowled over by it. It’s the story of a laundress & her struggle for a respectable life. She’s gradually consumed by poverty & ill-health & even as I was repelled by the story, I couldn’t stop reading. It was like watching a train wreck in slow motion. There’s a prequel to The Ladies’ Paradise called Pot Luck which traces Mouret’s early career. That may be my next Zola. If anyone has any other recommendations, I’d love to hear them.
My online reading group is about to read High Wages by Dorothy Whipple, a novel about a shopgirl in the North of England in the 1930s. Some of us are reading The Ladies’ Paradise as a companion read. I’ll be reading High Wages next (maybe with a mystery in between as a change of pace) & I can’t wait to see how it compares with this French confection of luxury. I imagine the atmosphere will be a little more austere!
This is a biography of Emily Dickinson that goes further than any previous biography. As well as an enthralling account of the life of the poet, Lyndall Gordon has explored the vicious family feuds that began even before Emily Dickinson’s death & intensified afterwards. The life is well-known. Emily Dickinson lived a secluded life in her father’s house in Amherst, Massachusetts. I think she wrote the most extraordinarily original poetry of the 19th century. I loved her poetry as a teenager & although I hadn’t read her recently, as soon as I picked up this book, lines came back to me. As a teenager, her poems about death fascinated me. I felt a funeral in my brain; I heard a fly buzz when I died; Safe in their alabaster chambers; I died for Beauty but was scarce adjusted in the tomb. My copy of the poems has lines marked everywhere. The metaphors reminded me of the metaphysical poets like Herbert & Donne. The props assist the house until the house is built; My life had stood, a loaded gun. She had a rigorously Puritan education, studied the sciences & all this comes through in the work. The unconventional punctuation, the capitalization & dashes, was so radical at the time that it wasn’t until the 1950s that an edition was published with the original punctuation. Lyndall Gordon also has an interesting theory about the cause of Dickinson’s seclusion. One of the enduring myths is of the New England nun, flitting around the house in a white dress, coyly avoiding visitors. The conventional explanation is an unhappy love affair. Gordon has some compelling evidence that Dickinson may have suffered from epilepsy, which was seen as a shameful mental illness in the 19th century. The incurable, random nature of the symptoms of epilepsy could have left Dickinson reluctant to be seen much in public & the effects could also explain some of the striking images of psychic disturbance in her poetry. The fact that we have so much of Dickinson’s poetry at all is due to the efforts of her family as only a few poems were published during her lifetime & they had been tidied up by fussy editors. Reading about the feuds, the adultery, attempted fraud & bad feeling that erupted between two branches of the family in the century after Dickinson’s death makes me wonder how the work survived at all. It began with Dickinson’s brother, Austin’s, affair with a young woman, Mabel Loomis Todd, whose husband was a faculty member at the Amherst Academy. Austin Dickinson was Treasurer there & Mabel’s husband, a philanderer himself, seemed content for his wife to have an affair with a powerful man to further his own career. Austin was completely besotted with Mabel & removed himself emotionally from his wife, Sue, & their children. Austin & Sue lived next door to his sisters, Emily & Vinnie. The affair was conducted at his sisters’ house & caused divided loyalties from the start. Emily sided with Sue, her girlhood friend & most perceptive early reader. Vinnie sided with her brother. Mabel fancied herself as a discoverer of genius & although she never met Emily, she recognized the worth of her work when first Sue, then Vinnie showed her the poems. She undertook to edit a selection of the work after Dickinson’s death. She did an admirable job, although she tidied up the punctuation & added titles. The poems were an immediate success & Sue, who had still more poems in her possession, wanted to stop Mabel & edit her own selection. Mabel was a great plotter; she wanted Sue out of the way & her relationship with Austin legitimized. When her plans failed, she tried to get hold of some Dickinson land from Vinnie after Austin’s death & this led to accusations of fraud & a lawsuit. I couldn’t admire Mabel, but, she ensured that the poetry would survive. Then, the accusations & bitterness were carried on to the next generation – Mabel’s daughter, Millicent & Sue’s daughter, Mattie – each determined to uphold her mother’s reputation. Lyndall Gordon has done a wonderful job of putting together a coherent story from such tangled events. It’s impossible to summarise it & I feel I’ve done a poor job of it here. If you feel confused but intrigued, just read the book.
The Other Family is a very satisfying novel about change, creating new opportunities & letting go of the past. Chrissie & her daughters, Tamsin, Dilly & Amy, have led a charmed life. Chrissie’s partner, Richie, is a singer. She met him in Newcastle, fell in love & convinced him to swim in a bigger sea. They moved to London, she managed his career & he was successful. But, he was 20 years older than Chrissie & left behind another life when he moved south. His wife, Margaret & son, Scott never saw him again. He never divorced Margaret so he couldn’t or wouldn’t marry Chrissie & after his sudden death from a heart attack, the problems begin. Chrissie & her older daughters are shocked & bewildered by the inevitable changes. Chrissie has always hated the thought of Margaret & Scott & been hurt by Richie’s refusal to marry her. She’s upset by the terms of Richie’s will as he’s left some important things to his first family. The legal ramifications of their situation mean that she will have only the house & she can’t afford to live there. Margaret & Scott are also changed & eventually liberated by Richie’s death. Margaret had managed Richie’s career in the early days & that’s still her business, she’s an agent. Scott is now in his 30s, single, a lawyer but with no focus in his life. The shock of Richie’s death & the terms of his will, force them out of their rut & into tentative communication with Richie’s second family. Amy & Scott are the first to make contact & eventually when Amy goes to Newcastle to learn more about her father’s roots, she finds a direction for her life that links the past & the future. Chrissie & her older daughters are pretty unlikeable, spoilt, selfish & very resentful of Amy’s attempts to see the Newcastle side of the situation. My sympathies were much more with Amy, Margaret & Scott. Margaret even has a cat called Dawson who reminded me so much of Abby. Are all cats the same if they have indulgent slaves at their beck & call? Dawson manipulated Margaret just as Abby manipulates me. Any novel with such a well-observed cat as a main character is worth reading. I love the domestic details in Trollope’s novels. She’s one of my favourite contemporary novellists. To me she’s in a direct line from my favourite writers of the 30s & 40s. She emphasizes character, place & plot & I love that.
It may be the middle of February but it was dark, humid & drizzly when Abby & I got up this morning. So, instead of rolling around in damp grass or on the wet footpath, Abby took the sensible course of a quick tour of inspection outside & then settled down in her favourite spot for another sleep while I got on with the housework & ironing. This is my reading chair & in winter it can be a race to see which of us gets settled there first. Abby usually wins. I’ve just been for a walk & it’s stopped drizzling but it’s still humid & more rain & thunderstorms are predicted for this afternoon. The rain is wonderful. Melbourne’s already had its average monthly rainfall & we’re only halfway through February.
This week I’ve started three books plus a new audio book. I’ve had a really busy week at work, the weather has been mostly hot & humid although we had some wonderful thunderstorms on Thursday which blew away the humidity, & I’ve found it hard to concentrate on just one book when I have so many lovely choices. I started the week with Joanna Trollope’s new book, The Other Family. I love Joanna Trollope, I’ve read all her books & I always look forward to a new one. This is the story of Chrissie & her three daughters, a middle class family living in London. Chrissie’s partner, Richie, dies suddenly, &, although Chrissie always felt married & wanted to be married, Richie had left behind a wife & son in the North. He refused to divorce Margaret although he’d had no contact with his first family for over 20 years. Problems arise when Richie’s will is read. Chrissie will have legal & financial difficulties but the real shock is the bequest Richie leaves to Margaret & his son, Scott. Chrissie & her two eldest daughters are spoilt & petulant. Amy, the youngest daughter, is the most sympathetic to Margaret & Scott. She finds some photos of her father’s life in Newcastle & makes contact with Scott. I love the beautifully observed domestic details of Joanna Trollope’s writing & I’m looking forward to the resolution of the tension between the families. I only read about 70pp of this on Monday because when I got home, it was gazumped by a tempting package on the doorstep. But, last night, I picked it up again & I’m more than halfway through. I’m totally absorbed & I think I’ll finish it this afternoon.
The tempting package on Monday contained Lyndall Gordon’s new book on Emily Dickinson, Lives Like Loaded Guns. I’ve had this book on preorder for over a year & I couldn’t resist flicking through it, looking at the photos, index etc. I read a lot of Dickinson’s poetry when I was young & I suddenly found myself remembering lines & phrases. Soon I was looking up all my favourite poems & I started the book in bed that night. It’s a biography of Dickinson but it goes further. It looks at the family feuds that erupted over the poet’s manuscripts & reputation after her death. This is something I know very little about & I’m looking forward to discovering more. Although I love Dickinson’s poetry, I’ve always found it difficult to get an idea of who she was as a woman. The white dresses, the seclusion. Was she pining away from unrequited love? Was she ill? Was she just very clever at creating the life she needed to write? Gordon dismisses the traditional explanation of unrequited love. Her theory is that Dickinson suffered from epilepsy which was a shameful disease in the 19th century, linked to mental instability. It’s a fascinating theory, & I look forward to reading more about it when I get back to Emily.
On Tuesday, I took Emile Zola’s The Ladies’ Paradise to read at lunchtime because the other two books were too big for my bag. My online reading group is reading Dorothy Whipple’s High Wages over the next couple of months. It’s the story of a young girl’s life as a shopgirl in the North of England & some of us are reading the Zola as a companion read. It should be quite a contrast as Zola’s novel is about a great department store in Paris. I expect much lushness & extravagance in contrast to the Northern austerity of Whipple. I’ve barely begun the Zola so I’ll say no more at the moment.
My new audio book is Sarah’s Cottage by D E Stevenson. I’ve only discovered Stevenson in the last year or so. There’s a devoted following for this author out there but most of her books are out of print. In the last year or so, this has started to change. Persephone reprinted Miss Buncle’s Book & Bloomsbury reprinted Mrs Tim of the Regiment as part of their wonderful Bloomsbury Group imprint. I’ve also listened to several books on audio. Stevenson writes gentle, domestic stories. Nothing dramatic or thrilling happens except maybe to the emotions of her characters. Sarah’s Cottage is set just after WWII. Sarah & Charles Reid are recently married & starting life together in Scotland in a house they’ve built on land given to them by Sarah’s grandparents. Life in a Scottish village, gentle & very satisfying with just enough plot detail in Sarah’s horrible sister & her neglected daughter, & ideas for Charles’ future career to keep me interested.